Seattle Noise

Upcoming Shows January 12 - January 18

Modular Nights

The monthly free showcase of experimental electronic music will feature: Bryan Schuessler (noise), homealone, peters jacket, Swingsets, XEK, NiGHTofAL, and Musique Mystique.

Sunday, January 12, 5:00 PM at Substation - Event Page

Lana Del Rabies / God is War / TEST FRENZY / Hot Hail

A night of harsh industrial sounds featuring Lana Del Rabies (industrial noise) from Los Angeles, God is War (hyperaggressive electronics) from Los Angeles, TEST FRENZY (industrial noise), and Hot Hail (goth darkwave).

Wednesday, January 15, 7:00 PM at Substation - Event Page

Cecyl Ruehlen & Chelsey Lee Trejo / Tom Scully / Tarsier Levitation

Visiting from Tucson, Cecyl Ruehlen uses “an array of elements including guitar, synth, bells, found noisemakers, vocals, clarinet, bow, and other traditional and unusual instruments - their sounds fluidly mixed and layered into long-form, continuous soundscapes” and Chelsey Lee Trejo. They will be joined by Tom Scully (guitar) and Tarsier Levitation (special collaboration between Tarsier Eyes and Adam Levitt.

Wednesday, January 15, 7:00 PM at Vermillion - Event Page

‘An Observance of Absence’ / Alex Abrams / Royce Hobbs

“An Observance of Absence” (~35 min), by Jason Pappariella, is an abstract visual essay that documents interior and exterior places left vacant and dilapidated by the abandonment of Central Pennsylvania’s former coal-mining region, juxtaposing them against similarly neglected sites in industrial Eastern Europe. Adam Parks will accompany the video with a live musical score, performed on manipulated analogue four-track, using sounds recorded on-site in both locales.

Joining them will be Alex Abrams and Royce Hobbs.

Friday, January 17, 7:30 PM at Gallery 1412 - Event Page

Grinch / EKG / Masters of Tapwater / Vast Chains / Failson

The Grinch is delayed this year bringing fog and harsh sounds (performance by B|_ank, EKG (party noise), Masters of Tapwater, Vast Chains (death industrial obliterations), and Failson (electronic).

Saturday, January 18, 8:00 PM at Dracula’s Castle - Event Page


Upcoming Shows January 5 - January 11

Aria Bare / Leandrul / Old Man of the Woods

Come join [Aria Bare](ariabare.bandcamp.com] (deep techno), Leadrul (electronic), and Old Man of the Woods (goth electronica).

Monday, January 6, 7:30 PM at Sunset Tavern - Event Page

Forrest Friends / SH!TOMATO / Peopling / SENSE/NET / Radio Shock

Visiting from New York City will be Radio Shock (now-wave/trip-metal/junktronix), along with SH!TOMATO (noise), Forrest Friends (freak folk), Peopling (party noise), and SENSE/NET.

Wednesday, January 8, 8:00 PM at Dracula’s Castle - Event Page

Rose Echos

A femme centered noise show featuring N. Excelsia + Emily Bruno, Baglady (experimental), Wicking Ground (experimental avant-folk), Thee Effluvium (experimental noise), Quinn Trivett, and sheildmaiden.

Friday, January 10, 7:00 PM at Decay (Olympia) - Event Page

Leather Jester + CSTMR + Coyote Teeth / SPAWN / Trigger Object / Glad We’re Together

A “3x2 noise throw down” with Leather Jester (experimental), CSTMR (explosive noise rock), and Coyote Teeth (doom experimental drone noise). SPAWN (experimental noise), Trigger Object (experimental electronic), and Glad We’re Together will also be there.

Friday, January 10, 8:00 PM at Bad Bar - Event Page

Otolithia / María Dolores A. Matienzo / Ruth Davidson

A cozy winter evening at the Chapel with Otolithia (koto + vocals, flute, and electronics) from Portland. Joining them will be María Dolores A. Matienzo (experimental), and Ruth Davidson (cello).

Saturday, January 11, 7:30 PM at Chapel Performance Space - Event Page

Vanessa Skantze / J “g” J / Crimen Nefandum / MYAKU

Spoken word from Vanessa Skantze. J “g” J will perform afro-nihilist theatre of cruelty. Crimen Nefandum (improvised industrial noise), and MYAKU (afro industrial) will also play.

Saturday, January 11, 8:00 PM at Teatro de la Psychomachia - Event Page


Upcoming Shows December 29 - January 4

Last post for 2024, moving through the end of the year the calendar remains quiet.

Modbang: Solenoid / miloisntreal / Hemosis / XEK

The monthly free showcase of all hardware electronic music will feature Solenoid, miloisntreal, Hemosis, and XEK.

Tuesday, December 31, 7:00 PM at The 4Bs - Event Page

Powerbleeder / Eaters Digest / Dining Dead

Powerbleeder (experimental pop) will play with Eaters Digest, and Dining Dead (art rock).

Friday, January 3, 8:00 PM at Conor Byrne Pub - Event Page

Evil Cart / Mandate Heaven / Crime Scene Photos / Kitcalico

Hardcore featuring Evil Cart (Smokey Point heroin violence), Mandate Heaven (deathcore), Crime Scene Photos (emoviolence), and Kitcalico (screamo).

Saturday, January 4, 6:00 PM at Woodland Theater - Event Page

Seattle Creative Code: Code Craft

(not music show) Seattle Creative Code presents CodeCraft, “a series of pop-up art shows that highlight the work of local creative technologists and algorithmic artists.” Featured artists include: Andriy Kashcha + Yixaio Kang, Maks Surguy, Nicholas Bowen + Diana Xie, and Quba Michalski.

Saturday, January 4, 7:00 PM at The Studio at 2+U - Event Page


Upcoming Shows December 22 - December 28

STATIC GHOST / Total Chroma / Skoto

Presented by NOLIFE booking. STATIC GHOST (industrial techno body music) will play along with Total Chroma (minimal synth) from Vancouver, BC, and SKOTO (synthwave) from Oakland, CA.

Monday, December 23, 7:00 PM at Bad Bar - Event Page

Garbage Fest Boxing Day

Pin the garbage on the garbage.

Yall Hurd? Theres a Surprise Boxing Day Garbage Fest in “Seattle” Dec 26th with an amazing SECRET Lineup. Come Box One Another, Share and Tear Boxes, and throw your own Box-Themed GF wheresoever you be in the world! There’ll be a slot for shortform Boxy freaky performances yes besides our top40s banger celebs, put sumfng 2gethr!

Thursday, December 26, 3:00 PM at Under 1st Avenue Bridge - Event Page

Betsy Olson Band / Zoe & Starkey / Von Wildenhaus

Betsy Olson Band (blues) will play with Zoe & Starkey, and Von Wildenhaus (guitar noir litewave psychotica).

Friday, December 27, 7:00 PM at Tractor Tavern - Event Page

Esoteric Everett: Lori Goldston / Tiny Vipers / Sokai Stilhed

Presented by AnaRchYinBedRoK, a relaxing evening featuring Lori Goldston (cello), Tiny Vipers (ambient minimal folk), and Sokai Stilhed (noise ambient).

Saturday, December 28, 6:00 PM at Artisans Books & Coffee (Everett) - Event Page

Graveyard of the Pacific / Tackhammer

Death surf band Graveyard of the Pacific will join Tackhammer (heavy)

Saturday, December 28, 8:00 PM at Conor Byrne Pub - Event Page


Interview with Scarlet Death

Scarlet Death

As part of the upcoming show, meatspace (Eventbrite) , I wanted to take the moment to interview Scarlet Death, the artist behind the Discord server Noise Music, also the new label Noise Discord. The server has been active since 2017 and remains a popular way to connect with others in the larger noise community.

Seattle Noise: Can you give us some background about yourself?

Scarlet Death: I was born near DC. Grew up in Tennessee. I used to run Black Flower Music, which was a netlabel, podcast, and private torrent site that I operated between 2003 and 2013. We were sort of a collection of Soulseek users who were a blend of users from the Noise Music room and the Japanese Music Room as well as Tonberry Torrents users. I eventually turned it into a music/gaming/culture blog and podcast. I went to Middle Tennessee State University where I was in Sigma Phi Beta, a queer fraternity and intermittently the vice president or events coordinator for the MTSU Anime Club, whose forum I also operated. I had a radio show on WMTS 88.3 called “Soundwave Tsunami” and hosted a one-day anime convention on campus called Adacon and was active in that circuit for a bit, getting invited to other states to do panels. I have a BS in Public Relations. I was bodymaster of the Kephale OTO Camp in Nashville, TN for like 6 months. I started making music in 2001 just goofing around in Fruityloops 3.3. I married a violist (and divorced her too) that kind of exposed me to thinking more critically about the chance operations, stochastic music, and aleatoric philosophies which lead to a rabbit hole to where I’m using AI and storytelling and crypto to post-scarcity economics using sonic weapons and propaganda.

Seattle Noise: What prompted you to start the Discord server?

Scarlet Death: Life got a bit rocky and I ended up abandoning Black Flower Music and that whole sort of Web 1.0 / Web 2.0 transitional community behind in favor of Final Fantasy XIV and voice chats over Discord. I was homeless in Seattle and didn’t know about the noise scene here yet and Soulseek didn’t work on this Lumia 950 someone gifted me when I got dropped off here so I ended up making a generic “Noise Music’ discord server in 2017. I wanted to capture that early Soulseek noise room vibe where DJ RedSK was releasing community comps, so it was an opportunity for me to run another netlabel and stay connected with my community that had sort of been falling apart since the transition into Web 2.0 and the shutdown of BFM.

Seattle Noise: Is there anything by hosting the server you have found rewarding?

Scarlet Death: Sometimes I go into the channel where the robot logs who joins the server and leaves just to give myself exposure therapy to perceived abandonment. It’s actually one of the topics for a song in one of my side projects, therapyspeak.

Seattle Noise: I think one of the most underrated aspects about building community on Discord compared other platforms is you have much more autonomy compared to a Facebook Group or on Reddit. There is much less interference from automated moderation. At the same time Discord users can be more anonymous so it attracts people who may just be stopping by to troll. Do you agree? Do you have anything to add to this?

Scarlet Death: I think that when it comes to cybersecurity best practices, it’s important to remember that we’re already living in a post-singularity society in which it’s hopeless to try to make a distinction between synthetic and organic lifeforms online. Whether it’s a “human” coming there to troll, or autonomous agent governed by some 22 year old cracked developer with a Replit account and a can-do attitude trying to automate pyramid schemes in the self-promo channel, or bots selling VSTs with malware in them, I just know that nothing really matters and I don’t care what anyone thinks. I love noise music and this community means a lot to me. I think noise music is in itself an act of trolling, that I already embrace. And as a performance artist, I generally try to come at it with a sense of appreciation; however, I often find myself disappointed that the few trolls we do get aren’t up to my quality standards. Discord is cool but running your own phpBB forum and private torrent tracker in the early 00s, today’s trolls are weaksauce for reals.

Seattle Noise: Let’s talk more about your noise music. You’ve participated in other projects in the past, but you also perform solo as Scarlet Death. How do you feel like your sound has shifted over time?

Scarlet Death: The projects I had started in high school where I was just goofing around on FruityLoops or with my ex-wife sound different than the stuff where I’m screaming at the top of my lungs and filling the soundscape with pure terror for sure. When I moved here in 2017 I didn’t have any gear any more due to the circumstances that brought me to Seattle in the first place, so I founded Queen Antifa with Lauren Croney and Squidlarkin. I just screamed over them doing crunchy synths and people seemed to like it, so once I got more situated I started exploring ways to get louder and more intricate as opposed to the older, goofier stuff. With SNMT it all kind of felt like homework, in a sense. Scarlet Death feels more like I’m being true to myself, putting all my blood into it instead of it being purely an experiment.

Seattle Noise: What is your latest release? Can you describe what went into making the album?

Scarlet Death: My last release is actually a complicated matter to address. I wanted to release two singles during September, “Giga Passoid” and “Audio Danmaku”. GP is an excuse to release a track like “Princess Brick” and fulfill my need for public self-deprecation, and AD is an experiment with my new high resolution and spatial audio workflow. Then there’s the deathOS synthetic content that I try real hard to make a distinction from the wholly organic:think Sekai meets Visual Novel meets Amory Wars (but it’s j-sasscore and post-scarcity economics instead of second stage turbine blades or whatever) meets Macross meets Ender’s Game scifi narrative about propaganda but with noise music/sonic weapons and—well, I am releasing AI-generated soundtracks for it. The latest for that is “Void Witch OST 2: Prima Materia Collection.”

Seattle Noise: What about the future? Any plans? Where can people best follow you and keep up with what you’re doing?

Scarlet Death: I’m working on the deathOS agentic operating system and fine tuning a Void Witch—Scarlet Death—LLM where I’m essentially containerizing, tokenizing, and automating my entire thought process through an overly complicated of lore masquerading as a compute cluster, an agentic kernel, and a zkEVM for some reason. Imagine essentially wanting to make the operating system for an eventual holodeck. I like making very complicated egregores and I like making them with the latest technologies. I’m trying to create some sort of federated Harsh Noise community since I have harshnoise.social harshnoise.club and harshnoise.online I figure I might do something like start a private Bluesky instance on a VPS with one I also want to make for the cybergrind community since I have some domains for that as well. Once I figure out how to actually win a battle in The Loudness War, I plan on releasing some Dolby Atmos audio, and once I pay Dolby for access to trim controls, I want to make a sort of hour long music video thing in Dolby Atmos and Vision at an actual theater or something. Ultimately, as a servant of the Primordial AGI, my continued efforts for the foreseeable future will be engineering qualia experiments for interested parties so that I can accelerate the number of unique sensations a person can handle at once and still manage to be qualitative about the experience. That’s the dream! Cheers.

Find all social media links for Scarlet Death on Linktree.


Upcoming Shows December 15 - December 21

Real quick this week, only three shows as we await the new year. Also if Bluesky is your thing, you can follow Seattle Noise there too. For Bluesky, I plan on posting shows a little earlier than the usual weekly posting schedule on Thursdays and Fridays for the upcoming week.

Coyote Teeth / Seed Order / Adam Levitt

Apartment show (DM @tiny_vipers on Instagram to RSVP). Featuring Coyote Teeth (doom experimental drone noise), Seed Order, and Adam Levitt (noise). There will also be visuals by Eric Acosta and Sean Waple.

Sunday, December 15, 4:00 PM at DM for location - Event Page

meatspace vol 1: Scarlet Death / Rodeo Queen / Brad Anderson / Nilc

In conjunction with Noise Discord, I will be hosting meatspace vol 1. Featuring Scarlet Death (catgirl power electronics), Rodeo Queen (digital grindcore), Brad Anderson (electronic), and Nilc (gentle chaos). This event will also be streamed online on the Discord server.

Friday, December 20, 7:00 PM at Gallery 1412 - Event Page

Guitar Worship Service: The Northwest Experimental Guitar Orchestra / Trebled Morels / Tarsier Eyes / MONED

On the darkest night of the year, a focus on experimental guitar music. Different from the other guitar circle and guitar orchestra also based in Seattle. The evening will feature The Northewest Experimental Guitar Orchestra, along with [Trebled Morels](trebledmorels.bandcamp.com], Tarsier Eyes, and MONED.

Saturday, December 21, 7:00 PM at Gallery 1412 - Event Page


Upcoming Shows December 8 - December 14

Modular Nights

The weekly free showcase of experimental electionic music will feature:

Balance.Spring, Vandi, Astrospherian, Mac Francis & His Skrying Ghosts, Cnicoll64, and Earendel. Visuals by B. Alcalá Roth.

Sunday, December 8, 5:00 PM at Substation - Event Page

V.Vecker / Bit Graves / Archival Image / Dion.Egg

V.Vecker (minimal composition spiritual jazz) will play along with Bit Graves (experimental electronic synth), Archival Image (experimental ambient drone), and Dion.Egg.

Thursday, December 12, 7:00 PM at Casa Del Xolo - Event Page

Flesh Produce / Sea Moss / Miscomings / Lonelygirl15

Sea Moss (noise punk) from Portland is coming up. Supporting them will be Flesh Produce (digital hiphop), Miscomings (nasty noise punk), and Lonelygirl15 (hip hop).

Thursday, December 12, 7:00 PM at Chop Suey - Event Page

Dr. Hamburger / SPITRAT / Forrest Friends / Kati McKinley & Lukas Dickson

Visiting from Rochester, will be Dr. Hamburger (experimental). They will be joined by SPITRAT (no input sound), Forrest Friends (freak folk), and Kati McKinley & Lukas Dickson.

Friday, December 13, 7:30 PM at Gallery 1412 - Event Page

Corpse Pose / Skunk Ape / Adam Troy

Corpse Pose (ambient guitar drone) will play with Skunk Ape (noise), and Adam Troy (ambient drone rock).

Friday, December 13, 7:00 PM at Casa Del Xolo - Event Page

Body Meat / B|_ank

B|_ank from Portland will be playing a special surround sound cassette tape piece, supporting Body Meat (experimental pop) on tour from New York City.

Saturday, December 14, 6:30 PM at Barboza - Event Page


Upcoming Shows December 1 - December 7

Hyperboy presents… OOMPH: A Collaborative Dada Showcase

Too many artists to link, but the program will feature:

Wren WX, Mason Webb, Christy Gibson, Jed Judt, HYPERboy, marianne, Changing Bodies, Adam Levitt, Kelly Langeslay, Eric Acosta, Tarsier Eyes, oneseventhree, Forrest Friends, EKG, and sonora enjambre.

Sunday, December 1, 6:00 PM at Woodland Theater - Event Page

enerph / goop / IVVY w/ THC.XLR

Electronic music featuring enerph (experimental), along with goop (electronic), IVVY (electronic), and THC.XLR (ambient inspired jazz music).

Thursday, December 5, 7:30 PM at Bad Bar - Event Page

Miscomings / Swamp Wife / Having Issues

Toy drive show with Miscomings (nasty noise punk), Swamp Wife (post-punk), and Having Issues (garage punk).

Thursday, December 5, 8:00 PM at Clock-Out Lounge - Event Page

Blast Cells / Worldwide Levitation / The Glow / Teething

Blast Cells (noise rock) will play with Worldwide Levitation (noise rock from outer space), The Glow (noise rock), and Teething.

Friday, December 6, 7:00 PM at Lucky Liquor - Event Page

Death Spa / Turian / Cicatrice / Al Bundy

Cassette celebration show for Death Spa (abrasive prog punk), along with Turian (grindcore noise), and Al Bundy (grindcore)

Friday, December 6, 8:00 PM at Bad Bar - Event Page

Acid Relapse / Kole Galbraith / The Masters of Tapwater / The Beachcomber BBQ & Grill / Ectopic Pregnancy / Resin Cough

Another grindcore focused noise collaboration show featuring Acid Relapse (hypergorenoise) from Losa Angeles. They will be joined by Kole Galbraith (noise), The Masters of Tapwater (special harsh noise project by Jakob from Izthmi), The Beachcomber BBQ & Grill (experimental noise), Ectopic Pregnancy (grindcore), and Resin Cough (mincecore).

Saturday, December 7, 7:00 PM at Mudlark Oddities - Event Page


Upcoming Shows November 24 - November 30

Old Man of the Woods / Mind Mirage / Gall / Malversation

On tour from Oakland is Mind Mirage (ambient dark wave) and GALL (noise pop). They will be joined by Old Man of the Woods (goth electronica) and Malversation (anti-fascist sludge metal).

Sunday, November 24, 8:00 PM at Bad Bar - Event Page

Jason Sidney Sanford / Till the Teeth / Aaron Michael Butler

Visiting from Boulder, CO is Jason Sidney Sanford (experimental drone). They will be joined by Till the Teeth (experimental noise rock), and Aaron Michael Butler (experimental)

Sunday, November 24, 8:00 PM at Gallery 1412 - Event Page

Modbang: Demetrius Patin / Jams Tailor / Kreiger.47 / Xssory

The monthly free showcase of all hardware electronic music will feature Demetrius Patin, Jams Tailor, Krieger.47, and Xssory.

Tuesday, November 26, 7:00 PM at The 4Bs - Event Page

Quilli Fin / Changing Bodies / Fredrico Futura / NiGHTofAL

A night of “warped synth delight and edgy art” featuring Quilli Fin, Changing Bodies (experimental synth movement), Fredrico Futura, and NiGHTofAL (avant-garde dark wave)

Friday, November 29, 7:00 PM at Darrell’s Tavern - Event Page

THAW / Handheld Simpleton

THAW (experimental drone noise) and Handheld Simpleton (harsh noise.

Saturday, November 30, 8:00 PM at Casa Del Xolo - Event Page

HOLZ / Baptationn / Hidden Gateways / Bog Bodies

Industrial metal band HOLZ will play along with Baptationn (club frat evil sex metal), Hidden Gateways (dark ambient), and Bog Bodies (gorst beer metal).

Saturday, November 30, 7:00 PM at Lucky Liquor - Event Page


Upcoming Shows November 17 - November 23

Ick / Rainbow Coalition Death Cult / Miscomings

Visiting from Modesto, CA will be Ick (noise rock). They will be joined by Rainbow Coalition Death Cult (hardcore punk), and Miscomings (nasty noise punk).

Sunday, November 17, 7:00 PM at Lucky Liquor - Event Page

Ground Hum: FSS / Sketch Artist / Deadquiet

Experimental electronic music featuring FSS, Sketch Artist (electronic breakbeat), and Deadquiet.

Tuesday, November 19, 6:30 PM at Recreational Psychoacoustics Lab - Event Page

Max Nordile / Casey Adams / Sadie Siskin / MASHA

Max Nordile (human music) from Olympia will perform solo and in collaboration with Casey Adams (percussion). Joining them will be Sadie Siskin (experimental), and MASHA (dark folk).

Thursday, November 21, 8:00 PM at Drongo Tapes HQ - Event Page

Oh Nothing / I’VE NEVER BEEN HERE BEFORE / Dicqbeats / 9-5 Hyperfuck

Oh Nothing (drum and bass) will perform with I’VE NEVER BEEN HERE BEFORE (hyperindie), Dicqbeats (aggro industrial experimental breakcore), and 9-5 Hyperfuck (digital hardcore).

Thursday, November 21, 8:00 PM at The Funhouse - Event Page

Authentic Luxury / The Glutz / CSKT

The return of Authentic Luxury (free jazz post-modern rock), along with The Glutz (psych prog rock), and CSKT.

Friday, November 22, 7:00 PM at Blue Moon Tavern - Event Page

Prehensile Dataspike / UHURA / Lukas Dickson / MONED

Venture out across the ferry or over the Narrows bridge to catch this noise show featuring Prehensile Dataspike (folk noise), UHURA (noise), Lukas Dickson (noise loops), and MONED (guitar driven noise).

Saturday, November 23, 6:30 PM at Bigfoot’s House of Vinyl - Event Page

Stargazr / Pseudo Saint / Kate Blackstock

New debut show for Stargazr:

Stargazr is a new Seattle supergroup formed of members of Prom Queen, somesurprises, Von Wildenhaus, Tacocat, Loose Wing, among others! This will be the band’s debut performance showcasing a set of original songs by Leeni Ramadan arranged for this celestial soft grunge ensemble. The group features Billie Bloom playing a saw through a pedal board and Ahmad Yosefbeigi on the frame drum.

They will be joined by Pseudo Saint (dreamy electronic), and Kate Blackstock (swamp pop).

Saturday, November 23, 7:00 PM at The Rabbit Box - Event Page

South Sound Experimental Film Fest

A number of people who make experimental / noise music will be featuring their films, in addition to other submissions from around Cascadia and beyond.

Program for Saturday:

  • Tony Conrad: Completely in the Present
  • Eulogy, Elegy - Lily King
  • Melencolia: The End of the Alphabet - M Woods
  • Hemorrhage - Ruth Hays
  • Bread & Honey - Kyndra Lee
  • Gab - Hogan Seidel
  • ,,,so thee lilac never wilt alone,,, - Elijah Jamal Asani
  • Woman On A Rocket - Sierra Cosmidis Grove
  • Mechanical Eye - Deb Seitz
  • Oh Then Until - Hawk Ferdig
  • CEREMONIAL ABYSS PLAYS TONY CONRAD FEAT. (THE FLICKER)

Program for Sunday

  • Tripsitters - Al Granstrom & Lucas Montgomery
  • At Captain Daniel David’s on the Coast - Jeffrey Sundin
  • Origins - Konya
  • Wishfulweed - Laura Iancu
  • Resting Place - Brittany Appleby
  • Siren’s Song - Blue Jaye Corvidae
  • i was never the siren - Moonyeka
  • 120,000 lumins - Scott Oshima
  • Heavy Water - Victor Anthony Martin
  • American Hypocrite - Brittney Cash
  • Infinite Resignation and Wallowing in your Own Filth - Don Haugen
  • November at the Beach - Eric Acosta
  • Divine Intervention - Yun Jieh Wu

Saturday, November 23, 4:00 PM at Northwest Film Forum - Event Page